58. Chapal Nayansēṃ Chitt Liyo Mero

Raag: Yaman Kalyan

Taal: —

Tempo: Madhyalaya

Devanagari:

चपल नयनसें चित्त लियो मेरो … चपल
चपल मिले अचानक आय डगर बीच, मोहन सब जग मीत … चपल

चपल मंद मंद मुख हास अलौकीक,
पहेरे सुभग पट पीत … चपल

चपल सन्मुख आत बजावत मुरली,
गात मनोहर गीत … चपल

चपल अँगिया लाल लाल शिर पगियाँ,
सुंदर तन शोभित … चपल

चपल ब्रह्मानंद पिया मुख निरखत,
हो गई त्रिगुणातीत … चपल

Romanized:

Chapal nayansēṃ chitt liyo mero … chapal
Chapal mile achānak āy dagar bīch, mohan sab jag mīt … chapal

Chapal mand mand mukh hās alaukik,
pahere subhag paṭ pīt … chapal

Chapal sanmukh āt bajāvat murli,
gāt manohar gīt … chapal

Chapal aṅgiyā lāl lāl shir pagiyāṃ,
sundar tan shobhit … chapal

Chapal brahmānand piyā mukh nirakhat,
ho gaī trigunātīt … chapal

Lyricist/Composer:

S. Brahmanand Swami

Bandish Insight:

What makes this kirtan especially unique is that it was originally noted in manuscripts in the same classical Raag Yaman-Kalyan, highlighting Brahmanand Swami’s mastery not only of spiritual expression but also of musical depth. Raag Yaman-Kalyan, known for its soothing yet majestic quality, serves as a perfect melodic vessel to express awe, surrender, and transcendent devotion.

Links to Listen (Available on YouTube):

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