222. Maane Nahi Mora Manawa

Raag: Yaman

Taal: Teen Taal

Tempo: Drut

⚠️ NOTE: This bandish appears in multiple modern semi-classical presentations online.
The lyrics differ slightly between singers and are not part of the traditional khayal repertoire.
The most commonly heard lines are:

Devanagari:

Māne nāhī̃ mora manvā
sāvan kī ghaṭā chhāī re
barse nayanan kī dhār
māne nāhī̃ mora manvā
piyā bin jiyā na lāge re

Romanized:

माने नाहीं मोरा मनवा
सावन की घटा छाई रे
बरसे नयनन की धार
माने नाही मोरा मनवा
पिया बिन जिया न लागे रे

(Some singers use variations like manwa more na mane re, barsan lagi nain ki jhari, etc.)

Composer / Gharana:

This appears to be a semi-classical / light classical adaptation rather than a traditional khayal bandish.
Likely composed or arranged by contemporary artists—no historically documented composer.

Bandish Insights:

  • This is performed more as a thumri-style bandish, although sung in Yaman.
  • Structure is simple, repetitive—suitable for expressive alaaps, murkis, and light taans.
  • Because of its emotional appeal, many young performers use it in concerts and competitions.

Anecdote:

This bandish is popular on YouTube and music reality shows. It is not found in traditional bandish compilations like:

  • Bhatkhande’s Kramik Pustak Malika
  • Paluskar’s Sangeet Sangrah
  • Ratanjankar’s Sangeet Ratnakar
  • Tanarang’s bandish collections

Its popularity is due to modern renditions rather than classical lineage.

Links to Listen (Available on YouTube):

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