112. Gaṇapati Gajānana Devā

Raag : Kalyan / Yaman

Taal : Teentaal

Tempo : Madhya laya

Devanagari:

स्थायी:
गणपति गजानन देवा
जगत-वंदन नंदन भवानी के ॥

अंतरा:
सुमिरत विपद विनासत
‘रामरंग’ ऐसी सुत शिव भवानी के ॥

Romanized:

Sthayi:
gaṇpati gajānana devā
jagat-vandan nandan bhavānī ke ॥

Antara:
sumirat vipad vināsat
‘rāmarang’ aiso sut shiv bhavānī ke ॥

(⚠️ Note: Some singers use ‘बिघन विनासत’ instead of ‘विपद विनासत’.)

Composer / Gharana:

  • Composer credited as ‘Rāmarang’, a traditional composer signature found in many devotional khayal bandishes.
  • Popular in Agra and Gwalior circles, and sometimes adopted in Jaipur-influenced repertoires.
  • Structure follows classical madhya-laya khayal format with devotional emphasis.

Bandish Insights:

  • A devotional madhya-laya bandish praising Lord Ganesha.
    • Ideal for bol-baant, sargam, and medium-paced taans.
  • Works beautifully as:
    – Opening bandish in Kalyan/Yaman
    – Second bandish after a vilambit
  • Crisp rhythmic phrasing matches the syllables “गणपति–गजानन–देवा”.
  • Allows strong use of tivra Ma characteristic of Kalyan/Yaman.

Anecdote:

  • Frequently used as an invocation bandish in concerts.
  • Ishan Ghosh’s rendition brings youthful clarity and energetic rhythmic phrasing.
  • Some gharanas modify the antara slightly to emphasize different rhythmic positions.

Links to Listen (Available on YouTube):

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